When you connect proxies, that will automatically engage, and you'll notice a MASSIVE performance boost in Premiere. Thanks to a filmmaking app, we now know the bitrate when shooting in maximum video quality in the iPhone 13 Pro. Quality depends on bitrate, which can vary a lot within each codec, so no generalization is possible. In general, for recording purposes, you don't want to go below 422 HQ; even plain 422 is already a trade off and should only be done for footage you don't care for. in Software, Announcements. 1. S-log 3 ProRes 422 HQ Footage by Neumann Films. But it looked to me like the DNxHD was essentially equivalent to the ProRes HQ setting in quality and bitrate, with no equivalent to regular ProRes, LT, or Proxy ProRes settings. 264 (and 265) are interframe codecs that. ProRes 422 Proxy. Match Source - Adaptive Medium Bitrate. 1 samples. . All ProRes codecs support any frame size (including SD, HD, 2K, 4K, 6K, 8K, and larger) at full resolution. H265 is a masterpiece and revolutionary for the internet as a whole. Click OK. I’ve used this version of the codec in the past for multi-cam editing on a late 2007. 2 Pass is pointless for this kind of thing as you've already learned in your other posts. . The low bitrate means that the files are much smaller, so you can use fewer/smaller/cheaper hard drives, simplifying your workflow. mov. Image courtesy: FiLMiC Pro Intra-frame codec. 264. 3840 x 2160 (Ultra HD) Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73. ProRes is an apple product after all. The workaround is of course to export in Prores HQ (as near as dammit lossless) then use Handbrake to reencode at CRF/bitrate whatever ^^ This. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. Apple ® ProRes. Unfortunately the bitrate is limited to 1. 853 x 480 for 16:9 content. But often, it's better to send out lighter files for review and save the big downloads. The $600 Atomos Ninja V is one of the best as it unlocks the maximum bit rate and bit depth from your camera’s video signal. 5:1 give you a constant bitrate of 194 MB per second – about 12 GB of footage per minute. Internal ProRes 422 HQ and F-Log 2. Apple ® ProRes. You’ll get fewer video compression artifacts on YouTube when you upload high quality video formats, as opposed to low bit rate files. By far the most common proxy codecs are DNxHD/DNxHR and ProRes. It will put the bitrate at 20 (which you can't change) but the file will be a lot smaller. This is 3840x2160 ProRes 444. Dropping the quality to 720p at a film-level 24Hz sees the number of streams jump from three to fourteen on the same system and increases further with the normal 145Mbps ProRes bitrate. ProRes, as a editing codec, uses different pixel formats. Apple ProRes 422 LT. Some banding and blocking. Recording in H265 and transcoding to ProRes versus recording in ProRes. The Atomos Ninja V, Sigma fp and ProRes RAW opens up a whole range of creative opportunities for our customers and I can’t wait to see what users can do with it. 4K and Beyond – Video Data Rates. ProRes 422 will probably do just fine, but if you have lots of storage space, then going up to ProRes 422 HQ will have a slight edge. 265 at a comparable bitrate. You can render and export faster with ProRes RAW than you can with other raw formats. Nikon. Choose device or format, and then select the specific device or format type. 264 to download, but if your drives are fast enough it'll be a much better. Why ProRes is so great, is, Intel standard SSDs that are inside your computer, you could record to it. 1. Obviously you lose quality with lower bitrate, but depends on what you have to do with it for editing. I also wouldn't transcode master files (ProRes or high bitrate H265 from camera) before editing. 00p, 25p, and 29. 4 MB/s. In the Video tab, scroll down to Bitrate Settings, and change Target Bitrate (Mbps) to 3. Studio for >=4k/Dolby P3D65. DPX, or any other combination, you’ve come to the right place. 264. 1920x1080p. To be technically correct, the statement is "10-bit h26x is as good a codec as Prores HQ at the same bitrate". When disabled, Premiere Pro chooses the appropriate keyframe distance based on the export format and. If you are not happy with the default, you can set them to the ones you prefer. Since your source is ProRes, you can chose ProRes for Adobe Stock delivery of high quality video. 30 percent smaller file sizes. Now, close the "Settings" app and. Though banding is in part due to high compression. As such, the codec is ideal for video. Any ideas? - 11112615To shine, it needs a high Bitrate. so your first impression would be to match the bitrate and that may get you close, but its doing a little lossy compression even with the same bitrate so you always want to go a little higher with exports like +20%. 4-axis vertical/horizontal tilting monitor and improved vertical user interface support vertical shooting. Format. 264 is usually going to be plenty for 1080p30, but far too low for 4k60. Show More. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Now tap Formats at the top. 3. You get 10 bit 422 output over the HDMI into whatever recorder (and by extension, whatever codec and it's inherent bitrate) you like. See the Apple ProRes 422 Codec Family for a general description of the shared technical characteristics as well as history of the format. Alle ProRes-Codecs von Apple sind bildunabhängige (oder „Intra-Frame“-) Codecs, d. We use 422 as a delivery format to go to DCP for theatrical versions of trailers. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. For BitRate control you need use Kostia's realization of ProRes (specified by '-vcodec prores_ks'). Maximum Recommended Video Bit Rate: 50Mbps* Audio Support: AAC audio (CBR/VBR). Those formats are made to hold up to being re-encoded while being very fast to encode/decode. We are wondering if it is possible to reach adequate quality with H. Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. All Apple ProRes codecs support any frame size (including SD, HD, 2K, 4K, 5K, and larger) at full resolution. What version of Avid? The ProRes export is "Quicktime" which Avid has 2 of. 264 on youtube). The 6K had better color and highlight recovery and he disliked Apple's support of ProRes raw. 94 60 119. 4:4:4 RGBとYCbCrは可逆圧縮である。The Blackmagic Pocket Cinema Camera 4K features a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. While you would get slightly longer recording times at those bitrates, it wouldn't be significantly longer. ProRes RAW is a new codec, released by Apple, that allows for a new standard of video compression for RAW Footage. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. Apple ProRes 422 HQ - 117. 63 MB/s Apple ProRes 422 LT - 54. Data rates vary based on codec type, image content, frame size, and frame rate. Some popular codec examples include H. Included in the update is support for ProRes Proxy, ProRes LT, ProRes 422, and ProRes 422 HQ. Can’t find any details like this for Instagram though. 264 Format instead. I tried changing "-c:v prores_ks" to "-c:v prores", and the bitrate was substantially reduced to just about 1000Mbps. ProRes reallocates only the bitrate needed. It's entirely possible that I didn't pay enough attention to export settings, but given the fact that we tend to keep copies of videos as ProRes exports anyway, it felt kind of pointless to create more files than we needed anyway, so I not looking into this further for. (However,. 3. KNOWN BUGS / LIMITATIONS : OSX : When exiting the AfterCodecs options dialog, the UI freeze for a few seconds. My test clip size reduced from 3. ProRes is also constant bitrate. Movie Recorder also generates GIF files. Resolution 1920x1080 HD 1280x720 HD. They're not painstakingly tweaked for the best possible quality at a given bitrate. With ProRes, the bit rate (or data rate) is determined primarily by ProRes codec type (Proxy, LT HQ, etc. The filezise is now 2,18 gb. If you need some more video editing tools, head straight to our frames to timecode calculator or our streaming bitrate calculator if you want to live stream your own content! FAQ. It can shoot H. Apple ProRes 422, with roughly 70 percent of the data rate and. Is such a high bitrate really necessary that generates such a large file?On paper, the Fujifilm X-H2S is a beast. Fast forward to 3:00 on the YouTube video to see the difference in highlight recovery. 264. afaik, premiere doesn't let you choose the chroma subsampling. 265 in-camera recording. 0 media card. 94 frames per second. 265 File Type: mp4. I really wish Blackmagic would add a more compressed codec like a high quality h. NTSC: 720 x 480 or 720 x 486 1. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. But generally speaking, ProRes RAW won. Think of it like this, pro res contains information on everything single frame. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor,. Navigate in the Unreal Engine menu to Edit > Plugins, locate Apple ProRes Media in the Media Players section, and enable it. 8x crop), a maximum of 400Mbps, 10-bit 4:2:0 internally and no prores. ProRes is built for editing speed, whereas H. You can make recordings at up to 30 fps in 4K and 60 fps in HD. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. Within these two main formats sits 3 sub-categories exist such as ProRes 4444XQ, which is the highest quality version of ProRes 4:4:4:4 - it includes an alpha channel for visual effects and can support up to 12-Bit RGB and a 16-Bit alpha channel, with a target data rate of. 265 modes. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. 264 or H. As Apple defines it “The role of a codec is to preserve image quality as much as possible at a particular reduced data rate,. The actual bit rate in a ProRes recording varies depending on the recording format (FPS & resolution) and a scene's content. Apple ProRes 422 is approximately 147 Mbps at 1920 x 1080 and 29. Recording clips in Apple ProRes 4444 XQ preserves the full sensor quantization in logarithmic encoding, with the same range of colors available in ARRIRAW. The file will be large, but significally smaller than HQ but not as small as H. This opens the Preset Settings window. 264. ProRes target data rates; Dimensions: Frame Rate: ProRes 422 LT: ProRes 422: ProRes 422 HQ: UHD 3840 x 2160: Mb/s: GB/hr: Mb/s: GB/hr: Mb/s: GB/hr: 24p: 328: 148: 471. Canon R5 + ProRes RAW. That’s a real achievement; 12 bit RAW in a ProRes HQ bitrate. To get more documentation of the libvpx options, invoke the command ffmpeg -h encoder=libvpx, ffmpeg -h encoder=libvpx-vp9 or vpxenc --help. While the macroblocks in H. 264 variants can look better at a given bit rate. Los iPhone 13 Pro y 13 Pro Max con memoria interna de 128 GB podrán. Really an underrated format though, capturing that oversampled video directly. dividedby__ • 4 yr. If I have difficult footage—something with a lot of fine detail or motion—I will increase the bitrate. You can choose between two ProRes RAW compression levels: ProRes RAW and ProRes RAW HQ. Source: X-OCN White Paper. The X-OCN LT has a lower bitrate even when compared to ProRes 422. You will need to restart the editor afterward. *Selectable bitrate will be changed depends on the setting. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. Looking for good quality, but within reason. The key here is that ProRes RAW has a quality target, instead of a data target. The SD Memory Card UHS-II V90 supports. Since my original files from my camera are only 35Mb/s, i thought that maybe i'd just export as ProRes 422 Proxy instead of ProRes 422. Any ideas? - 11112615An Apple ProRes HQ codec will result in a much larger file size with the highest quality and more data. Macroblocking is due to low bitrate, so in principle you should have less of that using Prores, which has a very high bitrate. QUICKTIME (PRORES 422/HQ or 444) QUICKTIME (DNxHD for 720p/1080p or DNxHR for 4K+) These codecs will most likely be higher bitrate than your footage, so while it won't improve your actual footage, it will allow more flexibility when working with your footage. Since the color space of Standard Definition tends to be 4:1:1--formats like H. 1 SUP 4. The Apple ProRes 422 (HQ) codec offers the utmost possible quality for 4:2:2 or 4:2:0 sources (without an alpha channel) and provides the following: Target data rate of approximately 220 Mbps (1920 x 1080 at 60i) Higher quality than Apple ProRes 422. H264 options have been severely degraded, as well as as H265 output (using crappy NVENC, instead of allowing quality output). The same limitation applied to iPhone 13 Pro and iPhone 14 Pro models with 128GB of storage, but those devices cannot record ProRes video to external storage, so at least iPhone 15 Pro users have. Apple has released a new video codec into the filmmaking post production world. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. The bitrate is also limited here by the “Level” settings under the video tab. ProRes is a video codec, like H. 5. Along with 8K60p, the Z8 supports 4K capture at up to 120fps and 10-bit ProRes, H. Use an intermediate codec like ProRes, DNxHD or Cineform. I use Apple Compressor to do the heavy lifting and batch converting into ProRES 4444 for use in DaVinci Resolve. X-H2S digital camera supports internal recording of 4:2:2, 10-bit Apple ProRes HQ/ ProRes 422/ ProRes LT, and ProRes 422 Proxy at resolutions of up to 6. ProRes Proxy is surprisingly good - especially considering the bitrate and the fact that ProRes isn't particularly efficient as a codec. Also, 4K 30p requires an iPhone with 256GB, 512GB, or 1TB of storage. Incidentally, I did my own subjective tests looking at footage I shot comparing ProRes HQ and ProRes LT at 1080p. ” The Ninja V can also record 422 ProRes and DNx video up to 4K 29. Toggle Apple ProRes to on. They're both ProRes 422, and both would be exporting at a higher bitrate than my original footage anyway. Cineform is an excellent alternative, but a bit slower on Macs. *When recording video at 25℃ from a cool start, with the auto power-off temperature set at “High,” bitrate of 100Mbps, a vertical battery grip VG-XH attached and using three batteries. Footage by Neumann Films. As for the size, the lower resolution ProRes Proxy options are about 36Mbps bitrate. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic-range) imagery. When in ProRes, formats below 4K will automatically be recorded as 2K or HD. Showing results for Show only | Search. In general, the lower the bit rate, the smaller the file size, and, potentially, the lower the. 264. 490 0. Studio for >=4k mj2 – – yes Kakadu. 264’s block-oriented motion compensation standard, H. The ARRI Amira upgrade announced last week. Also, continuous recording times up to 160 minutes. It has a high bit-rate, which means it retains excellent image resolution. However, it must be taken into consideration that ProRes RAW is not natively available in Resolve. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and. High-quality codec and de facto industry standard. “Constant quality” inverts this by un-capping the bitrate in order to preserve fine details even in complicated shots. Then tap Formats, and within this sub-menu you'll see a section for Video Capture. It won't be identical, but you'd probably not notice the difference in a single generation. h. Ad creative should have sufficient bitrate such that encoding artifacts are not visible. Here's a step-by-step approach for exporting with the H. The ProRes family can be broken down into 6 codecs listed here from the highest to lowest quality: ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, and ProRes 422 Proxy. When I want more detail : ProRes 4k60 rec709 When I plan to edit the color later: ProRes 4k30 rec2020 Numbers: I also wanted to post some bitrate values from both the camera app and filmic pro. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. File. Each flavor of ProRes features a higher bitrate, allowing users to. All these codecs beat the bitrate you have listed with the H. . The X-OCN LT has a lower bitrate even when compared to ProRes 422. ProRes variants are all intra-frame (each frame is self-contained), so motion doesn't make a difference. 265. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. Fixed and readily defined. 5:1. 1. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. 8:1 gives you a constant bitrate of 121 MB per second – about 7 GB of footage per minute. 6. This is 3840x2160 ProRes 444. This is a significant part of why inter-frame H. ProRes is already diminishing return for playback. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. While Constant Bitrate is a surefire setting, to make sure the file sizes and quality will remain as advertised, it may cause issues when the footage being captured could do without the extra compression, ensuring that all details of a busy scene are clear. 265. This makes a lot of sense as it’s a widely. ProRes is a low compression high bitrate codec, and it is easy to edit compared with H265 and H264 codecs, which are highly compressed and have lower bitrates. * note - whatever your selection you'll always also see the Uncompressed DPX Full Resolution Data Rate as well as whatever Recording Codec you desire, very useful for post houses. ProRes accepts either a fixed bitrate with -b:v, or you can specify the profile, which should be a value between 0 and 3, where the bit rates are chosen according to the profile. So we’ve scoured the Internet and brought them all into a single page. At 500 Mbps, the SSIM and PSRN averages are only 0. Key Frame Distance: Enable this option to specify how often keyframes (aka I-frames) are inserted in your exported video. The bitrate is around 150mbps. 264 is meant for distribution and ProRes is meant for mastering. 27 Jun, 2014. The data rates vary based on codec type, image content, frame size, and frame rate. Download ProRes RAW White Paper. Aluminum Alloy. When you go to the Export window (File > Export media), you should see a tab for video settings and one for audio, as in the screenshot below. 264, ProRes 422, ProRes 422 HQ, while popular containers include MP4, MOV and AVI. " Select "Formats" at the top. BUGS FIXED : Slight color shifts in ProRes has been mostly corrected. Why ProRes is so great, is, Intel standard SSDs that are inside your computer, you. Internal Recording. Three factors contribute to this: 95 VMAF is a very high quality target. To use it, you must enable it's plugin. Recording 4K ProRes files requires 4K and above formats in 17:9. Each flavor of ProRes features a higher bitrate, allowing users to make the trade-off between quality. Battery Type. proxy (0) lt (1) standard (2) hq (3) 4444 (4) 4444xq (5) The FourCC codec IDs for the different Apple ProRes variants are – ProRes also has the benefit of coming in two main formats; 4:4:4: and 4:2:2. 2K is expected to be around 700 Mbit/s, which is 1/3 of Arriraw Open Gate’s 2. The 220 megabits per second referenced in the iTunes specs refer to the the maximum bitrate available for use by the Prores HQ codec. Apple ProRes 422. The bit rate for ProRes movies is set automatically according to the format chosen and the frame size and rate. When in ProRes, formats below 4K will automatically be recorded as 2K or HD. When talking about compression, it’s vital to understand the role of bitrate. ProRes also has the benefit of coming in two main formats; 4:4:4: and 4:2:2. 3K at. ProRes Proxy at 720p is 18-45Mbps based on 24-60fps. 000 kbps and the option to change it is disabled. 264 DNxHD 36 DNxHD 45 DNxHD 75 DNxHD 115 DNxHD 145 DNxHD 175 DNxHD 220. 264. 640 x 480 for 4:3 content. In a single generation I was unable to fine any scene where I could see any visible difference. The total bitrate is 1,866,118 kbps. Recording 4K ProRes files requires 4K and above formats in 17:9. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT). Apple ProRes RAW applies ProRes compression technology to RAW image data from the camera sensor. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Reply brlutnick BMPCC4K • Additional comment actions. There are many implementations of XAVC, I've included popular modern variations here. ago. 3. I don't want to work with reencoded gargabe. modes. Open the Settings app and tap Camera. 97; Fast encoding and decoding (both at full size and half size) ProRes 4444 and ProRes 4444 XQ Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. At 8000 ISO and below, the BMPCC 6Ks low light samples look better than the Sony A7S IIIs, although you can go to a higher ISO with it. 3728 x 3104 (3. profile <integer>: You can use this option to choose the ProRes profile to encode. modes. 976, 29,97, etc. Recording at 1080/25p, 1 minute of media will take 1. Apple ProRes 422 HQ - 117. Display Dimensions. However, only the Lumix S5IIX is capable of recording 5. Apple may provide or recommend responses as a possible solution based on the information provided; every potential issue may involve several factors not detailed in the conversations captured in an electronic. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. (The smallest Cineform I could get was more like 100Mbps) If you wanted to actually calculate the size you can use the equation: File Size = Bitrate * Time, where the time is seconds and the bitrate is Mbps. The actual bit rate in a ProRes recording varies depending on the recording format (FPS & resolution) and a scene's content. Video formats: Apple ProRes HQ, 422, LT AVID DNxHR HQX. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation modeIn order for ProRes to match the image quality of h. This ffmpeg command: ffmpeg -i input. It's NOT for a lack of quality however. Then you find a nice lossless codec (prores for example) or an "ok" codec (h. File size, Frame rate, Bitrate Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. 264 and H. 1 if you change to a preset for AppleiPod Video Small the level setting is on 1. Higher bitrate = better quality, but bitrate alone doesn't say much without also knowing what codec, resolution, and framerate you're using. Select "Record Video. 7K 6:5 anamorphic) Blackmagic RAW 3:1 - 177 MB/s For ProRes, follow the standard presets in your video editor to export your file. Source: X-OCN White Paper Bitrate Comparison at 8192 x 4320 / 24p Bitrates of X-OCN vs RAW and ProRes. It'd at least be a lower bitrate than the other ProRes flavors, which would help reduce storage space requirements for your proxies. All codec bitrates are calculated at 1080p 23. Bitrate values for streaming services are typically recommendations, not a. This opens all the video controls, and it’s here you can find an amazing level of control over your camera. ). Suddenly ProRes was the go-to capture format that delivered low compression, high resolution, high bit depth images straight into post-production in what had quickly become the preferred format for many post facilities. 4K, on the other hand, requires close to 226GB of storage—almost 4GB per minute. Had the same problem, MP4 is worthless for recording unfortunately. More Data Always Means Better Video Quality. In Adobe Premiere Elements 2023, when I use "Add Media" to add any iPhone Prores video with a H. 3:1. g. This tool is intended to give an indication of the amount of space a given video format will take up on disk. Apple Footer. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. Set your project settings to the format you want to export. I’ve used this version of the codec in the past for multi-cam editing on a late 2007. It seems to sacrifice mostly fine detail rather than colour fidelity. The following chart is from the ProRes White Paper that. Using the ProRes codec as an intermediate, especially the higher bitrate version, isn't going to sacrifice much quality. 97 fps. On my BMPCC-4K, 4K/60/13-bit is recorded in something like 65MB/s BRAW (500Mbps+Audio), the same format in ProRes 422 HQ would be 210MB, and ProRes RAW is only a little smaller, so probably still 3x bigger than BRAW. Use the H. 7-Stop In-Body Image Stabilization. Apple's white paper doesn't list that frame size exactly, but for 2048x1080, it says the data rate should be 453Mbps (ProRes XQ no alpha). 97fps 기준 약 147Mbps입니다. But. Both compression levels achieve excellent. The Z9 will also get a waveform monitor, red display. Adobe Community. Media Info still showed it as ProRes422 HQ, and I can't tell the difference in quality. ProRes will require the use of a CFexpress Type B Card. And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. 264 and H. ProRes 422 Proxy is also avaialble when recording ProRes, which can assist in streamlining post-production workflows. 08GB. Si su computadora y software de edición lo admiten, ProRes 422 es el formato de archivo de mayor calidad para cargar en YouTube. It also has less sharpening baked into the image, though it. 264 isn't the right tool for multicam and your expectations for low bitrates are out of line. LATEST.